I’m a visual artist working with still and moving images for a decade now, when I finished my bachelor’s in graphic design at UNIVA, and have been learning independently since. My practical studies gotten autodidactly and through various independent courses involve alternative printing processes (etching, cyanotype, gum bichromate), wet and dry painting materials (pastel, oil, encaustic), software editing (TouchDesigner, Adobe), analog and digital photography, programming (Python, CSS), music and DAW manipulation (ac guitar, modular synths, FL)

Often drawn to moments that appear uneventful. My practice focuses on framing the ordinary and extraordinary In ways that suggest intimacy, discomfort, and idiocy. I’m interested in visual tension; in interventions in and out of the frame through digital and physical manipulations.

My ongoing work explores themes of documentation and altered perception. Techniques like selective inversion allow me to shift the internal structure of an image, often tuning it to a different note.

This portfolio is a space for independent studies—unexhibited, in-progress, and unresolved work.

I aim to exist on a thin line between being part of the landscape and none at all..”